Picasso Escape Room

August 1911. The Mona Lisa vanishes from the Louvre and the police summon a painter who once bought stolen Louvre statuettes: Pablo Picasso. He says that was a separate matter. Until he can describe something concretely, he stays in the evidence room. An escape room about seeing. Picasso's left eye is Cubism (Ma Jolie, 1911): shapes, structure and letters only, everything ochre and faceted. His right eye is Fauvism (Matisse's The Red Studio, painted the same year): colour only, flat, red, no detail. Every lock needs both eyes — the left tells apples from pears, the right tells red from green; the left sees footprints, the right sees Mondrian's colours; the left reads mirror-writing, the right shows which letters match the dials; the left sees the numbers on Dalí's melting clock, the right sees the hands. Four locks, one composite sketch, one Realist door. Twenty-five pieces of "evidence" from Cézanne to Warhol — Duchamp's urinal, Munch's scream, Vermeer's girl, Magritte's pipe, Michelangelo's two fingers (now a light switch), the Guernica bulb (not painted yet; the police say it does not matter) — each with a deadpan line. Original score, "Étude for Two Eyes": one melody in two arrangements — Spanish guitar for the left eye, warm pads and celesta for the right — crossfading as you switch. English and 中文, switchable any time. Landscape phones supported.